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Ảnh của tác giảMercial Michael

Disappointed Since 1961

Michaelmercial is a Startup Merchant that gives everyone the power to offer print-on-demand for their images on their own products. Our print-on-demand brand offers to print on apparel and sends them all over the world. We are specialized in short run printing, so it is possible for the customer of the platform to make an order easily and quickly. Our print facilities only print professional products and all of the high-quality products. We offer both screen and digital printing and have a good price for clients. Furthermore, we also own a professional design team to offer pretty designs for the customer with no worry.



Disappointed Since 1961 meaning:

For Peyton, it was the Disappointed Since 1961 in contrast I will get this film’s central theme of love conquering all that she felt dovetailed most neatly with her own work. (Along with her painting of Elio and Oliver, other iconic couples Peyton has immortalized include Robert Pattinson and Kristen Stewart in Twilight, Daniel Day-Lewis and Michelle Pfeiffer in The Age of Innocence, and even Barack and Michelle Obama.) “The film is about how love is really, really hard but it’s worth it,” says Peyton. “I think that is something that I’m often trying to transmit with my work: how essential love is. And I think this film really captures so many stories of people trying to figure out how to do it. It made me feel hopeful.” The final painting, titled Kiss (Bones and All), features a torrent of brushstrokes in bruise-like shades of purple, blue, and black; appearing almost entirely abstract at first, the features of the actors begin to emerge on closer inspection. “I think the movie is about the mystery of love, and the painting has this beautiful mystery and this stunning clarity to it at the same time,” says Guadagnino, who has form when it comes to intriguing movie posters. (Who can forget the gorgeous curlicued fonts he used for I Am Love or the blood-spattered eyes and Saul Bass–esque typography for Suspiria?) “It requires the eye to travel, which I think is beautiful,” Guadagnino adds of Peyton’s artwork. “It engages the viewer.”


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